
NCECA’s 59th Annual Conference Formation, Salt Lake City, Utah, March 26-29, 2025.
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2025 NCECA Salt Lake City Promotional Video, please use the following YouTube link and credit NCECA: https://www.youtube.com/watch?v=odmYz3akUvc
Salt Lake City, Utah. (March 12, 2025)—Salt Lake City will serve as the host city for the 59th annual conference of the National Council on Education for the Ceramic Arts (NCECA) from March 26-29, 2025. The 2025 NCECA Formation Conference invites us to dig deep into the historical and cultural significance of ceramics worldwide. Philosopher and educator John Dewey wrote, “The self is not something ready-made, but something in continuous formation through choice of action.”
Throughout the region, NCECA and its partners have worked to select and site dozens of exhibitions that will run concurrently with the conference. Nearly all of the exhibitions will be open to the public free of charge. Core conference programming, which includes panel discussions, keynotes, and other educational opportunities, will take place at the Calvin L. Rampton Salt Palace Convention Center. Registration is required to attend the conference. However, limited areas of the convention center will be accessible to the public free of charge. Learn more and register at www.nceca.net.
Day pass scholarships are available to high school students and their teachers in the conference region. Salt Lake City art educators are encouraged to contact office@nceca.net with their class rosters and preference for Thursday or Friday participation at least two weeks before the conference.
“NCECA is thrilled to realize its 2025 conference in Salt Lake City, Utah. The diverse communities, rich history, landscape, and geology of the greater Salt Lake City, region have inspired generations of creative endeavor, ” said NCECA Executive Director Josh Green. “Ceramic art involves the development of hard-earned experiential and tacit knowledge. Because the NCECA conference, presents the work of artists, scholars, and students worldwide in such varied formats, each year it offers a unique opportunity to discover another part of the US while engaging with ceramic art’s traditions, creativity, and innovations. NCECA has planned an array of phenomenal presentations that are the heartbeat of the conference over three days in March. Dozens of venues will host exhibitions surrounding the conference to make ceramic art accessible to all.”
Approximately 5,000 artists, designers, educators, and scholars will attend the Salt Lake City conference. NCECA’s 2018 conference in Pittsburgh, Pennsylvania, had an estimated economic impact of more than $6 million. Arts organizations and galleries throughout the region and state will host exhibitions during the conference. More details will be available as the conference approaches.
LINKS
Landing Page for Formation, the 2025 NCECA Conference in Salt Lake City, Utah, with information about conference registration, programming, and exhibitions - https://nceca.net/2025-registration-pricing
To stay informed on all upcoming news and information about the 2025 Formation Conference events and programming, download the 2025 NCECA Conference APP on Apple Store and Google Play: https://nceca.net/2025-app
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Simone Leigh, Conspiracy, 2022, 16mm and 8mm film (black-and-white, sound; 24:00 minutes). Courtesy of ©Simone Leigh and Matthew Marks Gallery

Roberto Lugo, Prison Sequence, 2022, Stoneware, glaze, 16" x 25" x 16". Photo by Logan Jackson, courtesy of the Artist and R & Company

Steven Young Lee, Shattered Dreams and Movements of Change, 2023, Porcelain, cobalt oxide, copper oxide, epoxy resin, gold leaf, glaze, 18" x 150" x 3". Photo Courtesy of Artist and Barclay Hughes

Tip Toland, Enough, 2024, Stoneware, synthetic hair, paint, pastel, cloth, 28" x 28" x 28" approximately. Photo Credit: Ann Welch

Syd Carpenter, Laurie Mason, 2021, Stoneware, 13" x 22" x 22". Photo Courtesy of the Artist

Diego Valles, Fenix, 2019, 13” x 8” x 8”, Natural occurring clay, hand built, free hand painted and fired to oxidation on electric kiln 1350 Fahrenheit. Photo Courtesy of the Artist

Kyungmin Park, Hello, My name is Gina Park, 2021, Stoneware, underglaze, glaze, 23” (H)x 11”x 10”. Photo Credit: Kyungmin Park (Artist)

Lindsay Pichaske, Souvenir, 2018-2019, Stoneware, porcelain, mason stains, hair 32" x 28" x 17". Photo Credit: © Alan Wiener, courtesy Greenwich House Pottery

Brian Harper, Bunker Series: Elevated Turing, 2023, Terracotta, woodfired stoneware, black adhesive, 18" x 8" x 8". Photo Courtesy of the Artist

Du Chau, Seeds of Life, 2024, Porcelain, wire 60" x 15" x 10". Photo Credit: Kevin Todora

Lauren Kalman, Device for Filling a Void (15), 2018, Earthenware, gold-plated copper, Inkjet print, 4" x 5" x 4"; 20" x 16". Photo Courtesy of the Artist

Sasha Barrett, Ukrainian Childhood, 2024, Terracotta, slip, glaze, wood, rope, metal 9"x 32"x 20". Photo Courtesy of the Artist

Jennifer Schumacher Waller, waiting outside the door for a breath, 2023, Bubble wrap, air, thread, unfired stoneware clay, shellac 36"x 36"x 36". Photo Courtesy of the Artist

Astrid Guerrero, Gondolier of Portugal, 2024 Ceramics, gouache, 180" x 72" x 1". Photo Credit: Bradyn Shock

Kimberly Orjuela, Chía y Zuhe, 2024, Terracotta, 16" x 3" x 9.5". Photo Credit: Julie Ciot