Suleika Jaouad (pronounced Su-lake-uh Ja-wad) is the author of the instant New York Times bestselling memoir, Between Two Kingdoms. She wrote the Emmy Award-winning New York Times column “Life, Interrupted” and her reported features and essays have appeared in The New York Times Magazine, The Atlantic, The Guardian, Vogue, and NPR, among other publications. A highly sought-after speaker, her mainstage TED Talk was one of the ten most popular of 2019 and has nearly five million views. She is also the creator of the Isolation Journals, a community creativity project founded during the Covid-19 pandemic to help others convert isolation into artistic solitude; over 100,000 people from around the world have joined.

Born in New York City to a Tunisian father and a Swiss mother, Suleika attended The Juilliard School's pre-college program for the double bass, and earned her BA with highest honors from Princeton University and an MFA in writing and literature from Bennington College.

Suleika’s career aspirations as a foreign correspondent were cut short when, at age 22, she was diagnosed with leukemia.

She began writing her New York Times column “Life, Interrupted” from her hospital room at Sloan-Kettering, and has since become a fierce advocate for those living with illness and enduring life’s many other interruptions. Suleika served on Barack Obama's Presidential Cancer Panel, the national advisory board of Family Reach and the Bone Marrow and Cancer Foundation, and the Brooklyn Public Library’s Arts & Letters Committee. She was awarded the Red Door Advocacy & Community Service Award, and has been an artist in residence at Ucross, ArtYard, and the Kerouac Project.  Suleika travels the world teaching workshops and speaking, and she was an Anacapa Scholar in Residence at the Thacher School anda lecturer in the Narrative Medicine Program at Columbia University. She has appeared on the Today Show, NPR's Talk of the Nation, the Paris Review, the Los Angeles Times and Glamour, among others.

Kim Dickey examines the meaningfulness of the decorative, both in terms of how it is used to signify the role an object must play in the world, and in the way a dismissal of the decorative came to exclude any number of voices from the art world. Working with a variety of media, she makes objects and installations that set the stage upon which various artistic traditions can “speak” directly to one another to foster a closer conversation. 

Dickey has had solo shows in New York, Los Angeles, Kansas City, Aspen and Denver, in galleries and museums across the country and globe. Dickey’s work is in the permanent collections of the Metropolitan Museum of Art, NYC; Crystal Bridges Museum of American Art, Bentonville; Everson Museum, Syracuse; Museum of Contemporary Art, Honolulu; Museum of Fine Arts, Houston; and Museum of Contemporary Art, Denver, which featured her mid-career retrospective in 2016. Recent commissions at hospitals, including the Memorial Sloan Kettering Cancer Center in NYC, has inspired her long-held belief that art can promote healing.