Share Your NCECA Story #yourncecastory

NCECA Annual Fund
All donations received will support NCECA’s Annual Fund! Click below to donate online.

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NCECA's 2023-2024 Annual Appeal starts on #GivingTuesday, November 28, 2023 and ends January 2, 2024. Throughout the six-week campaign, NCECA will release a series of videos that highlight members' experiences of connection and knowledge sharing. Join us and share your own NCECA story with the hashtag #yourncecastory.

Please consider a year-end gift to NCECA if it's within your means.

Artworks by Marge Levy | Photos by Larry Lancaster

Member Spotlight

Marge Levy

Based in Seattle, Washington, Marge started attending conferences of the National Council on Education for the Ceramic Arts in 1971 and became the organization's first woman president in the 1980s. She has only missed a few annual gatherings since that time.

“There is a generosity at the core of NCECA. The way people share what they do and know about. All that teaching and learning come from a deep place of sharing. I don’t see that in all of the art world.”

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Share Your NCECA Story #yourncecastory

Join us each week, from November 28 to January 2, 2024, as we release six inspiring videos sharing NCECA stories from our clay communities. Share your own #yourncecastory and tag us on social media!

Participating artists include Sana Musasama, Ina Kaur, Ashlin Cheyenne, James C. Watkins, MaPó Kinnord, Alisha N. Porter, Kyle E. and Kelly E. Phelps, Deshun Peoples, Malcolm Mobutu Smith, Brendan Lee Satish Tang, Mario A Mutis R, Rhonda Willers, Japheth Asiedu-Kwarteng, PJ Anderson, Simon Levin, Juan Granados, Erin Furimsky, Eric Andre, Chanda Zea, Ernest Aryee, Naila Ohmke, Gerald A. Brown and Jeff Vick.

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Share Your NCECA Story #yourncecastory

Week 1 | Tuesday, November 28, 2023
Sana Musasama, Ina Kaur, Ashlin Cheyenne and James C. Watkins

  • Sana Musasama earned her BA from City College of New York in 1973, and her MFA from Alfred University, New York, in 1988. Musasama received the 2018 Outstanding Achievement Award from the National Council on Education for the Ceramic Arts for her years of teaching and her humanitarian work with victims of sex trafficking in Cambodia. Musasama is the coordinator of the Apron Project, a sustainable entrepreneurial project for girls and young women reintegrated back into society after being forced into sex trafficking. Musasama lives and works in New York.

  • Ina Kaur is an active practitioner who engages with materials and communities to make artwork and connections. She is trained in printmaking and ceramic studio practice and, over time, has grown to become interdisciplinary, expanding the material boundaries. Kaur currently lives and works in New Orleans, Louisiana.

  • Ashlin Cheyenne is an artist holding a BFA in Ceramics from Towson University. Initially studying structural engineering, these influences present themselves through angles, precision, and connection by pushing the boundaries without compromising stability. By distorting their structures' walls, Ashlin demonstrates that paths aren't linear but rather sharp and uncertain.

  • James C. Watkins has worked with clay for more than 40 years. His work is held in 23 permanent national and international collections. Watkins’ work has been widely exhibited in 46 solo exhibitions and 170 group exhibitions. Watkins is a Texas Tech University Horn Distinguished Professor Emeritus, in recognition of national and international distinction for outstanding research or other creative scholarly achievements.

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Share Your NCECA Story #yourncecastory

Week 2 | Tuesday, December 5, 2023
MaPó Kinnord, Alisha N. Porter, Kyle E. Phelps and Kelly E. Phelps and Deshun Peoples

  • MaPó Kinnord grew up in Cleveland, Ohio. She received her first training in ceramics through Cleveland’s Quaker-founded alternative high school, the School on Magnolia. She apprenticed with several production potters before receiving her Bachelor of Fine Arts from the Massachusetts College of Art in 1984. She received a Master of Fine Arts degree from Ohio State University in 1994. Arriving in New Orleans in 1995, she now serves as an Associate Professor of Art at Xavier University. A well-respected educator, Kinnord has taught workshops at Haystack Mountain School of Crafts in Maine and the Penland School of Craft in North Carolina, as well as the Kambe no Sato Arts Center in Matsue, Japan. She has researched the traditional and contemporary art of Ghana and has produced video documentation of the traditional pottery, kiln building and ceramic architecture of Northern Ghana, West Africa.

  • Alisha N. Porter is an emerging ceramic artist born and raised in the American Southwest and have achieved a bachelor’s degree of Individualized Studies from New Mexico State University, focused in Gender and Sexuality, Sociology, Elementary Education, and Applied Art–Ceramics. They are proud of their time spent at the New Harmony Clay Project in the Fall and Winter of 2020 as an Artist-In-Residence and are currently engaged as a first-year Master of Fine Arts Candidate at Southern Illinois University in Edwardsville. They have exhibited work in group exhibitions in Portland, Oregon, at Verum Ultimum Gallery; Loveland, Colorado at The Artworks of Loveland Contemporary Art Gallery; and New Harmony, Indiana at The New Harmony Gallery of Contemporary Art. They are a BIPOC, gender non-binary, first-generation earner of a college degree engaging their feminism as homework and grassroots work and are notably generous with their experience, strength, and hope.

  • Identical twin brothers Kelly and Kyle Phelps are Professors at private Catholic universities in Ohio. Kelly Phelps is a Professor at Xavier University (Cincinnati) where he oversees the ceramic and sculpture departments. Kyle is a Professor at University Dayton (Dayton) where he is the head of the ceramic and sculpture departments. Much of the twins’ ceramic-based work is about the blue collar working-class, race relations, and the everyday struggles of the common man and woman. Both Kelly and Kyle continue to work collaboratively to create their artwork and share a studio in Centerville, Ohio. The twins share numerous grants, regional, national, and international exhibitions, and commissions. Their work is also included in many permanent museum collections across the US. Most notably, private collectors of the twins’ work are film director Michael Moore and actor Morgan Freeman. As well, their work is the focus of major reviews in the world-acclaimed Ceramics Monthly, Sculpture Magazine, and American Craft Magazine.

    For a number of years, the twins have produced work that incorporates the handcrafted forms (ceramic based) that are juxtaposed with found/site-specific objects. The twins combine gears, corrugated metal, and scrap-machined parts, along with modeled ceramic figures to create a visual narrative composition about the blue-collar experience. The twins source, archive, and repurpose any found object to be used in their narratives, from abandoned industrial sites such as factories, steel/textile mills, warehouses, coal mines, and railroad yards.

  • Deshun Peoples is a ceramic artist and designer from Chicago who explores empathy and agency through wheel-thrown, hand-built, and slip-cast ceramic objects. He earned his dual BA in Studio Art and Rhetoric from Bates College and his MFA in Ceramics from Rhode Island School of Design (RISD).

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Share Your NCECA Story #yourncecastory

Week 3 | Tuesday, December 12, 2023
Malcolm Mobutu Smith, Brendan Lee Satish Tang, Mario A Mutis R, and Rhonda Willers

  • Malcolm Mobutu Smith is an associate professor of ceramics and director of graduate studies in the Eskenazi School of Art at Indiana University whose work can be found in numerous private and public collections including the Wexler Gallery, Nerman Museum of Contemporary Art, and Hunterdon Art Museum.

  • Brendan Lee Satish Tang is a visual artist who is widely known for his ceramic work. He earned an MFA from Southern Illinois University Edwardsville, a BFA from the Nova Scotia College of Art and Design, and he is the recipient of numerous awards and accolades, both nationally and internationally.

  • Mario A Mutis R was born in 1989 in Bogota, Colombia. He earned his BFA in Interdisciplinary-Sculpture at the Maryland Institute College of Art in 2012, and his MFA in Ceramics at the University of Florida in 2015. He is currently teaching as an Assistant Professor at Santa Fe College in Gainesville, Florida.

  • Rhonda Willers is a visual artist, writer, researcher, and author of the book, Terra Sigillata: Contemporary Techniques. Focusing on fragility, space, and subtle strength, she works with repetitive forms and markings to elicit thoughts of memories, spiritual spaces, and rituals. Her diverse art practice includes ceramics, mixed media, drawing, painting, and time-based interactive installations and experiences. Rhonda earned her BFA degree from the University of Wisconsin-River Falls (ceramics & photography), completed post-baccalaureate studies at the University of Massachusetts at Dartmouth, and earned her MFA from the University of Nebraska-Lincoln. Her writing and work can be found in: Pottery Making Illustrated, Ceramics Monthly, and Ceramics Technical. She leads workshops focused on the making and using of terra sigillata. Rhonda was a senior lecturer of art for 11 years before becoming a full-time studio artist and writer. She actively engages in the ceramics community through her service as a volunteer working board member for NCECA. Rhonda lives and works in Rural Elk Mound, Wisconsin, with her husband, three children, and cats. Visit: www.rhondawillers.com to learn more.

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Week 4 | Tuesday, December 19, 2023
Japheth Asiedu-Kwarteng, PJ Anderson, Antra Sinha and Simon Levin

  • Japheth Asiedu-Kwarteng (1987) is an artist, working primarily in ceramics and mixed media. He teaches Ceramics and Design at University of Texas – Rio Grande Valley (UTRGV). Asiedu-Kwarteng was a presenter on the theme “Ghanaian Ceramics Now: Ahoↄden!” at the 2021 NCECA Conference.

  • PJ Anderson is an early career ceramic artist from Thompson, Manitoba, Canada. She is an artist of both Afro-Jamaican and Metis heritage that she references during her explorations of Multi-Cultural identity, Canadian Identity, Environmental Issues, and Digital Social Justice. She is currently a Graduate Candidate at the University of Manitoba. Pj has explored Ceramics internationally as Resident Artist at the University of KwaZulu Natal in South Africa, where she had previously visited as a Zulu ceramics’ researcher, and New Mexico where she studied both ceramics and weaving. Her work has been shown in South Africa, in China as a finalist in the International Ceramic Magazine Editors Associations (ICMEA) Emerging Artist Competition and the United States. Pj has lectured at the University of Manitoba, the University of Kwazulu Natal, National Clay Week and others.

  • Antra Sinha graduated with BFA & MFA from MS University of Baroda in India. She was then an apprentice to Ray Meeker and Deborah Smith at Golden Bridge Pottery (GBP), starting in 2002, where she worked for a decade. An award from Japan Foundation took her to Shigaraki Ceramic Cultural Park in 2008. She accomplished a large-scale sculpture which brought her a commission for a 60-inch sculpture for a hotel in India.

    She moved to Utah when she received a STEM scholarship in 2015. At the time, she joined Utah State University for 2nd MFA in Ceramics. She continues to live in Logan with her husband, and works as a Gallery Coordinator and Art Instructor for USU. She is interested in the geometry in nature, which includes humans. She engages in cultural explorations through interaction and research. She has also spent several hours at different times at Room of Silence at The Brandenburg Tor in Berlin, Germany. Her first rendezvous with NCECA was with its exhibition catalogue and journal that her mentors Ray Meeker and Deborah Smith brought back to the studio in India in 2003. They were part of a panel at an NCECA conference.

    She received NCECA’s MultiCultural Fellowship and joined her first conference in Kansas City, when NCECA celebrated its 50th anniversary. She is excited to be a facilitator of bringing culturally diverse individuals to the clay community and NCECA. Please visit www.antrasinha.com for further information.

  • Simon Levin has been working in clay since 1990, when an elective ceramics course in college lead to an M.A. and an M.F.A from the University of Iowa. He is a full time studio potter working exclusively with wood firing. His work is exhibited and published internationally. Simon is a writer for many ceramic journals, though he dislikes writing about himself in the third person. In 2013 he was a Senior Fulbright Scholar researching local materials. Simon has built wood fired kilns for both US colleges and universities as well as schools in Taiwan and China. Between 2004 and 2019 his apprenticeship program has trained and influenced 22 potters. A resident of Wisconsin for 18 years, Simon is currently based in Pawnee, Illinois where he has re-established his pottery.

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Share Your NCECA Story #yourncecastory

Week 5 | Tuesday, December 26, 2023
Juan Granados, Erin Furimsky, Eric Andre and Chanda Zea

  • Juan Granados is an internationally recognized ceramist, having participated in nearly one hundred national and international group exhibitions, and twenty solo exhibitions, since 1988. He has also juried or co-juried an international exhibit and nine national exhibitions. His work has been published in eighteen textbooks, including 21st Century Ceramics in the United States and Canada, and twenty-one national and international journals including Art In America. He has served as a visiting artist, guest lecturer and demonstrator at twenty-one venues throughout the United States, such as the University of Washington, Seattle. His work will appear in the upcoming books Image Transfer on Clay and Contemporary Encyclopedia of World Ceramics.

  • Erin Furimsky is a studio artist and educator in Bloomington, Illinois. She received an MFA from The Ohio State University. She has exhibited her work nationally and internationally and stars in a streaming video called Layered Surfaces with Erin Furimsky. She has received various awards and has participated in multiple artist residencies. As an educator, Furimsky has been a featured presenter at national workshops, as well as serving as a visiting professor for over twenty years.

  • Eric Andre (b. 1985, Akumadan, Ashanti Region, Ghana) holds an MFA from the University of Arkansas, Fayetteville, Arkansas, and a BFA from Kwame Nkrumah University of Science and Technology University, Kumasi, Ghana. He is a Visiting Assistant Professor of Studio Art at Stetson University, DeLand, Florida.

  • Chanda Zea is an artist, teacher, and maker with a deep love for building community through clay. She is active in the national field of ceramics through various teaching appointments, residencies and non-profit board service. In addition to maintaining a thriving studio practice, Chanda remains involved with Gather: Make:Shelter, a collaborative art project engaging and benefitting houseless members of the Portland community. Her diverse studio practice ranges from large installations to utilitarian ceramics, and is inspired by the processes of making as well as objects of industrial and mid- century modern design. Her work can be found at Eutectic Gallery, Houston Center for Contemporary Craft and Pottery Northwest. To learn more visit her website chandazea.com, or follow her on social media @chandazea.

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Week 6 | Tuesday, January 2, 2024
Ernest Aryee, Naila Ohmke, Gerald A. Brown and Jeff Vick

  • Ernest Aryee was educated in KNUST Ghana, Royal Academy of Art and Design, Netherlands, and Southern Illinois University Carbondale. He has lectured, presented workshops, and been an artist-in-residence in the Netherlands, Mexico, Canada, Brazil, the US, and Ghana. He organizes the “Accra Sculpture Invitational” and maintains studios in the Chicagoland area and Ghana.

  • Naila Ohmke (pronounced Ny-la) is a Craft and Material Studies major with minors in Art History and Environmental Studies. Her primary focus is ceramics and she possesses a strong attention to detail and analytical thinking skills. Currently, Naila is serving as a Studio Intern at ClayGround, LLC.

  • Gerald A. Brown is a practicing artist, curator, and art education leader. A Chicago Southside native, currently based in Philadelphia, PA, she received her BFA from Syracuse University, with a dual emphasis on Sculpture and Ceramics. She is a current member of Vox Populi, on the Board of Directors at Watershed Center for Ceramic Arts, and co-founder of the Clay Siblings’ Project, a non-profit initiative providing free ceramic workshops around the country. She has had the pleasure of working in the past with institutions such as Haystack Mountain School of Craft, The Clay Studio, and Continental Clay. Instagram: @geraldbrownart

    Clay Siblings Project Website: www.claysiblingsproject.org Instagram: @claysiblings

  • Jeff Vick has been working with clay since taking his first pottery class in 1996. The Illinois native moved to Virginia to attend graduate school at Virginia Commonwealth University where he completed his M.F.A. in craft/material studies in 2006. Jeff creates functional and decorative wheel-thrown pottery, traveling to regional craft fairs to sell his work. He also teaches pottery classes and manages the ceramics studio at the Visual Arts Center of Richmond. In 2016 Jeff was the recipient of VisArts’ Shelly Shepherd Master Teacher Award. His work is represented by Glave Kocen Gallery and can also be found at Shockoe Bottom Clay, Stewart Gallery and the VMFA Museum Shop.

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