ARTIST OPPORTUNITIES AND RESIDENCIES
NCECA INTERNATIONAL RESIDENCY PARTNER PROGRAMS
The purpose of NCECA is to promote and improve the ceramic arts through education, research and creative practice. One of the many ways that NCECA supports its members is by providing opportunities to engage in international programs. Intercultural exchange of ideas and methods is critical to evolution of individual artists who through their immersion and experimentation, absorb and sometimes transform influences of other artists and their cultures. Since launching this initiative, NCECA has participated in programs in Africa, Asia, Australia and Europe. NCECA is committed to the idea that global interface will continue to play an important role in our organization’s efforts to sustain and advance a vibrant ceramic art and education community.
Consideration for NCECA International Residency opportunities is open all NCECA members.
ADDITIONAL RESIDENCIES & OPPORTUNITIES
How would living in another country inspire you? This program is designed for the professional to leisure artists to live and create in France, in a fully equipped, significantly subsidized, ceramic studio. All arts are welcome.
The IaRex L’Atelier, located in France’s Var region, is nestled in the port town of beautiful Saint-Raphaël, and is near several other exciting places: the historic port town of Fréjus with its Roman ruins, the Côte d’Azur and a mountainous area called l’Esterel, where hikers, bikers and nature lovers thrive. Beach lovers will also be in sandy heaven, gazing at the red rocks and the intense azure skies of the Mediterranean.
Why exchange?? Exchange is the central theme to this program. Exchange in conversation, learning process, exchange with another culture, and cultures, other artists, and the internal exchange that happens as we develop our artwork. This is an opportunity to work with other artists, exchange ideas, develop new relationships, network, be open to new influences, experiment, and develop one’s art. As a group experience, there is greater opportunity for creating memories, exchanging techniques, sharing inspirations, and the development of relationships.
The program is flexible,1 week to 3 months, with preference, and price-break, for longer stays. Groups are encouraged. The studio is fully equipped with 2 large electric kilns, a slab roller, wheels, tables and tools. Materials will be purchased upon arrival, and all subsequent visits to the ceramic supplier can be arranged. All artists have available assistance in any area they need. Artists are free to work at their leisure. Exhibition opportunities are available as the space allows. I am here to help each person have a wonderful experience, as I have had the pleasure of experiencing.
Between September and June, the area is plentiful with reasonable rentals. I have a list of AirBnB’s located close to the IaRex l’Atelier. There is a bus stop at the corner, with a 1-minute walk to the studio. One can walk to the center of the village, located on the Mediterranean, within 25-35 minutes. Using AirBnB, insures the artist of greater comfort for their individual needs in lodging and variable budget. The area offers other advantages of being close to a major airport, Nice, for Intereuropean travel and local travel to villages, archeological sites and museums.
1 – 3 Month residency application: Submit a resume, brief statement of intention, 4-6 images or website, and requested dates. Due October 15th for January – March 2020 residency, January 5th 2020 for April – June residency, June 1st 2020 for September- November residency. October 15th 2020 for January – March 2021
Contact: Lauren Kearns : firstname.lastname@example.org 33 07 69 70 27 94
This year’s residency is open to artists that work primarily with ceramic processes. All approaches to the medium ranging from formal to conceptual will be considered. We are especially interested in artists that utilize progressive approaches and whose practices push beyond expected conventions of the medium. This might even include the use of ceramic processes, or works, in conjunction with other mediums. The ceramics studio is equipped with electric & kick wheels, slab roller, extruders, clay mixer, pugger, full glaze lab, spray booth, gas & electric kilns, as well as slip-casting processes. Additionally, the studio program at Dickinson includes sculpture, (wood, metal, and casting processes), painting, drawing, printmaking, darkroom and digital photography, and still and time-based digital processes. We are especially interested in artists engaged in dynamic studio processes who can serve as strong role models for students.
Applicants should have their MFA as of August 2019. Please submit a CV, link to your work, and a letter of intent to: email@example.com. Submissions are due by August 1st 2019. Decision will be made by August 14th, 2019.
Expenses Paid by Dickinson College: – $7200.00 stipend (combined living and materials) to support a six-eight week residency in the Fall of 2019. Dates are flexible, but roughly from October to mid-November
-On campus housing accommodations.
-Private 350-1000 sq. ft. (based on need) studio space in the Goodyear Art Building.
-Access to use all studio facilities including: ceramic studio, print shop, photography studio, digital lab, wood shop, and welding facilities, and access to campus facilities including library, print center, and fitness center.
-Exhibition poster, promotion, and catered reception.
Expenses Paid by Artist:
-Meals are not included and should be factored as part of the living/materials stipend.
-Travel, shipping, materials, & additional living costs.
Residency Obligations for the Artist:
– Artists are expected to be on campus for the duration of the residency and adhere generally to a typical 5 day a week schedule, with weekends being open for travel and personal business.
– A solo exhibition of work in the Goodyear Gallery including but not limited to, work created during the residency. This exhibition will take place upon completion of the residency or at a later time agreed upon by artist and the Department of Art & Art History.
– Public artist presentation of their work to the college and greater Carlisle community.
– Participate in Senior Seminar studio critiques.
– Offer interactive learning possibilities to students such as conducting a workshop on a specific topic or giving a guest lecture in relevant studio classes.
– Contribute a work created during the residency to the Department of Art & Art History’s Sylvia J. Smith Artist in Residence Collection.
For more information about the studio art program at Dickinson College: https://www.dickinson.edu/info/20095/art_and_art_history/
Mighty Mud is a unique, urban ceramic centric studio, our almost 16,000 square foot facility includes: 42 artist studios with 50+ local artist renting space in those studios and an average of 1000 students per year. Mighty Mud has a gallery, an exhibition space, and a weekly presence at Downtown Farmers Market. We have 16+ electric wheels, glaze lab, 4+ indoor electric kilns, proposed Wood kiln, Gas reduction kiln, slab rollers, extruders, documentation (photo booth) area, spray booth, and large outdoor area for projects. Mighty Mud’s artist-in-residence program provides a unique opportunity for artists to work in a collaborative community of artists. Artists-in-Residence are encouraged to develop their existing bodies of work and explore new processes and concepts, and will be encourage to do monthly critiques with members. The residency allows artists to shape and structure their time to ﬁt their own goals. Residents spend some of their time working as a studio technician and retail operations. They also will have opportunities to teach their own classes. Special consideration will be granted to applicants who have operated and/or helped construct wood or soda kilns. Mighty Mud plans to build a wood kiln during the 2019/20 residency and the resident will be highly involved in the process.
ABOUT THE AIR PROGRAM
AIR’s are expected be at Mighty Mud for a minimum of 20 hours a week, which includes 10 hours per week of work for the studio. The 1st three months of residency will be considered a trial period, at any time during the trial 90 days the resident or Mighty Mud can terminate the arrangement. Some everyday responsibilities include: maintaining equipment and space, promoting classes, regular posting on social media, loading and unloading kilns, mixing glazes, studio wash downs, presenting workshops, art slide talks and organizing exhibitions. Please submit the following information to our on-line application no later than May 1, 2019 (no emailed or mailed submissions will be accepted after that.)
Apply to the Artist-in-Residence Program
- 10-15 images of work completed in the last 2 years. A minimum of 5 individual pieces of artwork are required.
- Brief artist statement (one page maximum)
- Personal statement (one page maximum) explaining what you hope to accomplish personally and what you hope to bring to Mighty Mud studio during your residency. Additionally address what speciﬁc skills and qualities make you a good ﬁt for the Mighty Mud Residency Program.
- Names and contact info of 1-3 references
- Studio/work space in our classroom or artist group studios
- Monthly stipend – $200
- Clay and Glazes or glaze materials within reason
- Ability to join any classes we offer free of charge
- Teaching/assisting opportunities for extra pay
- Solo show at the end of the residency in house or at another local gallery
RESIDENCY DOES NOT INCLUDE:
- Housing or food
- Travel costs
(845) 658-9133Applications due: April 1, midnight EST
DEADLINE FOR SUBMISSION: JANUARY 13, 2019
Pocosin Arts School of Fine Craft, located in Columbia, NC is hosting its second annual Drinking Vessel & Earring Show Juried by Tom Bartel and Kathleen Browne. Invited artists include Nikki Couppee, Donna D’Aquino, and Jason Bige Burnett. The show opens Friday, February 22 and runs through June 29, 2019 – all works must be for sale, 60% goes to the artist. Artists are responsible for shipping to and from the show.
Functional objects differ from decorative objects through user interaction. With the intent that the object is handled and used, certain aspects of its formal creation are called to attention. Comfort, familiarity, and usability all introduce essential considerations for the functional object. Ware/Wear seeks to gather and celebrate these concerns in the form of cups and earrings, both longstanding objects in human history that have been found in some form in every civilization.
Please submit up to 3 cups, and/or pairs of earrings. Your submission(s) must be fully functional and usable.
Grants info session
January 10, 2019, 6 pm, Northern Clay Center
NCC proudly facilitates six grant programs for current students, recent graduates, emerging, and mid-career artists. Learn about the application process and your eligibility at a free information session in NCC’s Library: Thursday, January 10, 6 – 7 pm. No reservations are required.
If you are interested in having a presentation at your organization (in Minnesota or almost anywhere in the country), we are always happy to take our show on the road (whether in-person or electronically) to share these opportunities. Email Jill Foote-Hutton at firstname.lastname@example.org to arrange.
Application deadline: Jerome Ceramic Artist Project Grant
The Jerome Foundation has supported emerging ceramic artists from Minnesota since 1990. The Jerome Ceramic Artist Project Grant program supports Minnesota ceramic artists at relatively early stages in their careers, as they accomplish short-term, specific objectives. The program will provide three grants of $6,000 each in 2019 for projects to take place between April 1 and December 31, 2019.
Projects may include, but are not limited to: experimenting with new techniques and materials; working or studying with a mentor; purchasing equipment to facilitate an aesthetic or technical investigation; providing studio time, studio rental, supplies, technical support; collaborations between ceramic artists and artists working in other media; education or exhibition opportunities; and travel.
An exhibition of work produced during the grant period will take place at Northern Clay Center at the conclusion of the grant. Additionally, recipients will provide a brief image talk about their work in conjunction with the exhibition.
Deadline: Friday, February 15, 2019, by 5 pm
Apply here: https://www.northernclaycenter.org/artist-services/artist-fellowships/jerome-ceramic-artist-project-grant
For more information, contact Jill Foote-Hutton at email@example.com.
Application deadline: Warren MacKenzie Advancement Award
The WMAA, founded in 2014, provides an opportunity for students and emerging artists to continue their ceramic research and education for a period of up to twelve consecutive months within the grant year, further expanding their professional development. This award is available to current undergraduate or graduate students, recent graduates (within one year), or those who have completed a university-equivalent training in ceramics (including apprenticeships) within the year prior to the application deadline.
During the grant year, the recipients can research a new technique or process, study with a mentor or in an apprenticeship setting, travel to other ceramic art centers or institutions for classes and workshops, collaborate with artists of other media, and travel. Proposals to fund large capital equipment purchases will not be accepted. Between one and two cash awards will be made in 2019, up to $3,000 each, for projects taking place between May 1, 2019, and April 30, 2020. Recipients contribute project updates to NCC’s social media and are required to give a public presentation at their school or other institution. See updates from past recipients at northernclaycenter.blogspot.com.
This award is made possible through the support of generous individual and institutional donors in honor of MacKenzie’s legacy of ceramic education, both traditional and non-traditional.
Deadline: Friday, April 12, 2019, by 5 pm.
Learn more and apply here: https://www.northernclaycenter.org/artist-services/artist-fellowships/warren-mackenzie-advancement-award
Application deadline: Emerging Artist Residencies
The Emerging Artist Residency program encompasses two unique Fellowships, designed to provide up to four ceramic artists with an opportunity to be in residence for one year at Northern Clay Center, where they can develop their own work, as well as exchange ideas and knowledge with other ceramic artists.
Each residency recipient will have a shared, furnished studio space with 24/7 access to NCC’s facilities from September 1, 2019, to August 31, 2020. In addition to the workspace, each fellowship includes a materials and firing stipend and professional development and enrichment opportunities through NCC’s education, exhibitions, and sales gallery programs, for qualified and interested fellows. A group exhibition featuring work produced during the fellowship period will take place in January 2021, at Northern Clay Center, at the conclusion of the grant period. Recipients have the opportunity to present a brief slide lecture on their work in conjunction with the exhibition.
These programs are made possible by generous contributions from several anonymous donors, as well as various secondary market sales at Northern Clay Center, with the intention to nurture the creative expression of aspiring ceramic artists.
If you have questions about the eligibility of your work, or how this residency can be successful for you, please contact the Coordinator of Artist Services and Storytelling, Jill Foote-Hutton, at firstname.lastname@example.org.
Deadline: Friday, April 12, 2019, by 5 pm.
Learn more and apply here: https://www.northernclaycenter.org/artist-services/artist-residencies/emerging-artist-residencies-ear
Application deadline: McKnight Artist Fellowship for Ceramic Artists
In its 22nd year of programming, the McKnight Artist Fellowship for Ceramic Artists will support outstanding Minnesota ceramic artists who identify with any methodology: functional, sculptural, relational, all techniques are welcome. The intent of this program is to recognize and support midcareer artists living and working in Minnesota who demonstrate a sustained level of accomplishment, commitment, and artistic excellence.Two $25,000 grants will be awarded in 2019. Fellowship support may be pursued for, but is not limited to: experimenting with new techniques and materials, purchasing materials and equipment, collaborating with other artists, and pursuing education, exhibition, or travel opportunities. The McKnight Fellowship recipients will be featured in a workshop and an exhibition with a corresponding catalogue at the end of their grant year.
This program is made possible by the generous support of the McKnight Foundation, Minneapolis, Minnesota. Two $25,000 fellowships annually.
Deadline: Friday, May 24, 2019, by 5 pm.
Find more info and apply here: https://www.northernclaycenter.org/artist-services/artist-fellowships/mcknight-artist-fellowships-ceramic-artists
Application deadline: McKnight Artist Residency for Ceramic Artists
The McKnight Artist Residency for Ceramic Artists program, in its 22nd year at NCC, intends to recognize and support ceramic artists whose work demonstrates exceptional artistic merit, who have already proven their abilities, and are at a career stage that is beyond emerging. The program is intended to provide these ceramic artists with an opportunity to be in residence for three months at Northern Clay Center, where they can develop their own work and, at the same time, exchange ideas and knowledge with Minnesota ceramic artists. Up to three, 3-month residencies will be awarded in 2019, to take place during the 2020 calendar year, through a competitive application process. NCC will invite one or two other artists through a nominative process.
Each resident artist will receive a $6,000 award (for a three-month residency), studio space provided at no cost, and a glaze and firing allowance. During the residency, each artist will present a public lecture/workshop, for which he or she will receive an additional honorarium. At the culmination of the grant period, recipients will be featured in a catalogue and group exhibition at Northern Clay Center. The exhibition will travel to 3 – 5 sites around the state of Minnesota. Recipients are also required to submit a final report at the end of the grant period.
This program is made possible by the generous support of the McKnight Foundation, Minneapolis. Up to four, $6,000 residencies awarded annually.
Deadline: Friday, May 24, 2019, by 5 pm.
Learn more and apply here: https://www.northernclaycenter.org/artist-services/artist-residencies/mcknight-artist-residency-ceramic-artists
British ceramist Jennifer Lee was selected as the winner of the 2018 edition among 30 finalists from close to 2,000 submissions representing over 80 countries on five continents.
Key Dates · LOEWE Craft Prize 2019
31 Oct. 2018: Submissions close
31 Jan. 2019: Shortlist of finalists announced
Spring 2019: Winner announced
Spring 2019: Exhibition of finalist works in Japan
The International Studio Residency is a non-profit program located on the campus of Jingdezhen Ceramic Institute in the historical porcelain capital city of Jingdezhen. As the University with the largest emphasis on ceramics in China, JCI maintains a program to host and support notable artists and academics from around the world to conduct artistic and materials based research and complete special projects.
This program is intended to expand and diversify opportunities for artists to encounter contemporary ceramic sculpture, painting practices, and also the traditional skills of Jingdezhen. The residencies at Jingdezhen Ceramic Institute are intended for both established and emerging artists, with programs ranging form Post-Baccalaureate study/residencies to sponsored projects submitted by proposal. Applications can be uploaded at http://www.jingdezheninternational.com/residency
Residence will have:
12×20 semi-private room
access to wood, salt, soda, raku, wood raku, electric and reduction kilns as well as access to glaze materials
24/7 studio access
Free wood for wood firings
Free reclaim clay
Access to nationally recognized clay workshop artists
Solo show at the University of North Dakota
opportunity to teach a class in fall and/or spring semester through the University of North Dakota with pay (pending adequate student enrollment and availability of funding)
The Department of Art and Design has a strong visiting artist workshop program. We have had artists such as John Glick, Paul Soldner, Josh DeWeese, Lana Wilson, Don Reitz, Tom & Elaine Coleman, Tom Bartel, Kurt Weiser, Sam Chung and many more. There are many other visiting artist workshops occurring throughout the year within the Department of Art and Design.
Strong Preference will be given to applicants with an MFA. Candidate’s potential artistic and professional growth, technical skills in studio and equipment maintenance and potential for instructional support will be considered in the selection process. The artist-in-residence is required to work 15-19 hours per week in the clay studio area. Occasional teaching duties may occur during faculty absence as part of those hours. Resident will periodically provide demonstrations and/or participate in class discussions and mid-term and final critiques in the intermediate and advanced classes. The resident may be asked to teach workshops and/or academic classes at the University of North Dakota and will be compensated for these courses.
Application deadline this year is open until filled. Primary evaluation of candidates beginning March 31st. The end of the week after NCECA and should be concluded very promptly.
To apply, candidates must submit:
• Application form (this page at bottom)
• 20 digital images of recent work submitted as jpgs.
Your image files should be sized no larger than 1800×1800 pixels at 72 dpi (approximately 6”x6” at 300 dpi)
• Image list must include title of piece, year made, materials, dimensions
• Cover letter describing qualifications and intent
• Artist’s statement
• C/V or Resume
• Contact information of three references who can speak to the applicant’s qualifications as a potential resident. Please do not send letters of reference.
***Send application information to: Wesley Smith, Associate Professor, Ceramics email@example.com (This is only for incoming applications.)
Questions concerning the residency can be sent to firstname.lastname@example.org or call 701-777-3362
Best phone contact number:
For additional information about the ceramics program or the Department of Art and Design, go to: or www.und.edu/dept/art/
Lillstreet Art Center is a unique, urban visual arts and community center with classes in Ceramics, Metalsmithing, Drawing & Painting, Printmaking, Textiles and Digital Media. Located on the north side of Chicago, our 40,000 square foot facility includes: 25 classrooms, 48 artist studios and an average of 1800 students per term. Lillstreet also has a gallery with an exhibition space, a shop and a cafe. Lillstreet’s artist-in-residence program provides a unique opportunity for artists to work in a collaborative, community-based arts center. Artists-in-Residence are encouraged to develop their existing bodies of work and explore new processes and concepts. The residency allows artists to shape and structure their time to ﬁt their own goals. Residents spend some of their time dedicated to working with students in order to enrich the educational programs, offering students the opportunity to see and learn from working artists. Residents will have the opportunity to work with ArtReach, our community outreach program, to provide arts education to underserved communities in Chicago. Residencies begin September 1 and end August 31.
AIR’s are expected be at Lillstreet for a minimum of 20 hours a week, which includes 8 hours per week of studio monitoring. Some common departmental responsibilities include: maintaining equipment and space, promoting classes, regular posting on the blog, organizing shows for the AIR program, presenting workshops, art slide talks and organizing exhibitions. Please submit the following information to our on-line application no later than May 1, 2017 (no emailed or mailed submissions will be accepted)
• 10-15 images of work completed in the last 2 years. A minimum of 5 individual pieces of artwork are required.
• Brief artist statement (one page maximum)
• Personal statement (one page maximum) explaining what you hope to accomplish personally and what you hope to bring to the Lillstreet community during your residency. Additionally address what speciﬁc skills and qualities make you a good ﬁt for the Lillstreet Residency Program.
• Names and contact info of three references
• Studio/work space in our classroom or artist group studios
• 24-hour access to facilities and equipment
• Monthly stipend – $200
• Free classes in any department
• Teaching/assisting opportunities
• Group exhibition with other resident artists
Residency DOES NOT include:
• Housing or food
• Travel costs
For more information visit our website: lillstreet.com/artist-in-residence
ITE is designed as a collegial experience and encourages an open exchange of creative and technical innovations. Residents are able to pursue both individual and collaborative work that is explorative and experimental.
The culmination of the residency is a multidisciplinary exhibition reflects each fellow’s experience and growth by including objects produced before and during the program. Artwork is accompanied by photos and essays documenting the residency experience.
Deadline for the complete application is December 30. For more information on the application and resident roles please visit: http://centerforartinwood.org/windgate-ite-international-residency/
On the edge of the Great Basin in Oregon, PLAYA provides space, solitude and a creative community to residents working in the arts and sciences, encouraging dialogue to bring positive change to the environment and the world.
PLAYA has two application deadlines each year: March 1 (for Fall sessions running August – December) and September 1, (for Spring sessions running January – June). For questions regarding these upcoming residencies or general information please email email@example.com
Please look under the Apply menu on our website www.playasummerlake.org for NEW guidelines and how to apply online using Submittable Residencies include housing in fully equipped cabins, work or studio space, and twice weekly group dinners at no cost. There is a $35 application fee for individuals ($70 for collaborative teams) to cover administrative costs.
PLAYA, in south central Oregon, is a retreat for creative individuals who are committed and passionate about their work and who will benefit from time spent in a remote location. PLAYA offers seclusion and quiet in a natural environment and the opportunity for interaction, if desired, with a cohort of residents and the local rural community. A residency provides the time and space to create substantive work or to research and reflect upon one’s creative or scientific processes. Away from the urgencies of daily life, residents can focus on their projects, immerse in a desert landscape of basin and rangeland, and find inspiration through self-directed inquiry.
47531 Highway 31
Summer Lake, OR 97640
On the edge of the Great Basin, PLAYA offers creative individuals the space, the solitude and the community to reflect and to engage their work through its residency program. PLAYA supports innovative thinking through work in the arts, literature, natural sciences and other fields of creative inquiry and encourages dialogue between disciplines to bring positive change to the environment and the world.
PLAYA is a 501(c) 3 tax-exempt organization and all contributions are tax-deductible
to the full extent allowed by law.
SONOMA CERAMICS ARTIST IN RESIDENCE PROGRAM, SONOMA COMMUNITY CENTER
The Artist in Residence program offers a self- directed emerging ceramic artist a supportive work environment to explore ideas and create a cohesive body of work while working and living at the Sonoma Community Center.
SETTING: Located in the heart of Sonoma County’s wine country, one hour north of San Francisco, and in the quaint town of Sonoma, the Sonoma Community Center is the region’s premier public ceramics studio.
ELIGIBILITY: The program is open to all ceramic artists living within the United States (unless residsident can provide own work visa) and culminates with a solo gallery exhibition. Potters and sculptors are welcome to apply. This residency is designed to benefit those who are dedicated to the ceramics medium and who are interested in working closely with our studio members.
WORK: In exchange for a monthly stipend of $750, lodging, firings, glazes, and 24 hour studio access, the Artist in Residence is expected to work 20 hours per week. Tasks include managing electric, gas, Raku, and Soda kiln firings, mixing glazes and slips, special event support, outreach, administrative support, and other studio-related tasks under the supervision of Ceramics Program Director.
HOUSING: The Resident’s studio apartment, located onsite, is fully furnished with bedding, a kitchenette, access to a full-sized commercial kitchen, internet, utilities, mailbox, parking, and bicycle. All amenities are walkable.
SELECTION: The resident artist is selected through a jury process which evaluates artistic merit, and proven studio/material competency as represented by the artist’s portfolio, resume, letter of intent, and professional references. Incomplete applications will not be considered. Couples will be considered, if both are artists, please note this in letter of intent.
For further inquiries contact:
Ceramics Program Director
APPLICATIONS ARE ACCEPTED TWICE A YEAR
Winter / Spring: January – June 2019
DUE: October 28, 2018
Summer / Fall: July- December 2019
Details and link to application: https://sonomacommunitycenter.org/ceramics/ceramics-residency-program/
We would like to inform you that our application for 2017 Taiwan Ceramics Residency Program has begun! we sincerely hope you or your artist friends can all participate in our 3 month expense paid international residency program (including round-trip travel subsides, daily stipend, accommodation, and NTD 30,000 material fee).
For the 2017 program, our goal is to select the best artists from all the applicants who have applied for our program. The application deadline is August 12, 2016. Please make sure to send your application in time!
For more information and the application form, please click here:
Thank you for your cooperation and wish you the best of luck in your future artistic career!
鍾榕芳 Rung-Fang Chung
New Taipei City Yingge Ceramics Museum Educational Promotion Dept.
No. 200, Wenhua Rd., Yingge Dist., New Taipei City, 23942, Taiwan,
The New Harmony Clay Project residency program fosters an environment that supports the investigation of new ideas and work of ceramic artists. Our goal is to encourage emerging and professional visual artists/educators in ceramics by giving them space and the time to develop a new body of work. The program offers a unique and stimulating experience that will challenge individuals to integrate new discoveries into their expressions.
The program is offered from September-April of each year. Residents have the opportunity to select a flexible residency time frame that accommodates their schedules-from one up to six month periods. We provide studio space for up to four artists at a time and reasonable materials commonly used when working with clay. We also help offset costs incurred by the artist(s) with a monthly stipend and provide housing with a private room and shared bathroom for the duration of the residency period. There are rolling deadlines and no application fee, so apply today!
Dear Colleagues, Students, and Ceramic Enthusiasts,
Come to China and Study Ceramics with West Virginia University at the World Famous Jingdezhen Pottery Workshop!!!
Through a unique linkage, West Virginia University has teamed to offer a comprehensive study opportunity for students and the serious advanced or professional ceramic artist/potter. Join us for a once in a lifetime experience and join us in the Imperial Porcelain Capital of Jingdezhen. For the last 21 years, we have teamed to offer a study and travel program in the Peoples Republic of China. Participants will have the opportunity to study with some of China’s most prominent teachers and ceramic artists.
Imperial Blue & White Porcelain Capital of Jingdezhen, Qin’s Terra Cotta Army, Ancient Capital of Xi’an, Great Wall of China, the Forbidden City in Beijing, the hustle and bustle of Shanghai. Join us for an experience of a lifetime!
China’s roots in ceramic art history are strong and deep. For thousands of years, Chinese artisans have developed and mastered techniques and artistry that has set the standard of excellence in ceramics throughout the world. High fired porcelains, underglaze and overglaze techniques, celadons, copper reds, temmoku, yao ware carving, ash glazes and tri-colored lead glazes are just a few of the contributions made by Chinese artisans over the centuries.
Summer Semester 2017
May 24 – June 30
(Dates prices may vary slightly)
Cost: 6-Credits/Tuition and fees: $7500*
2017 Summer artists/Faculty: Boomer Moore, Kelly O’Briant, Po-Wen Liu, and Shoji Satake
This fee covers International airfare, in-country travel, all lodging, food (an exception being during the Beijing travel portion of the program), materials, and 6 graduate or undergraduate transferable credits from West Virginia University.
Fall Semester 2017
September 7 – December 14
(Dates and prices may vary slightly)
12 Credit Hours: Graduate or Undergraduate
Cost: 12 Credits/Tuition and fees $12,900* 6-Credits Studio Ceramics 3-Credits Chinese Ceramic Art History 3-Credits Basic Language and Culture
2017 Fall artists/Faculty: Birdie Boone, Rain Harris, Caroline Cheng, Po-Wen Liu, and Shoji Satake
Participants will be expected to pay for tools not supplied by the program, brushes, personal acquisitions, and local travel outside of the program. Students may also be expected to purchase their own meals during the Xian and Beijing travel components.
This fee covers the entire cost of International airfare, in-country travel, all program fees, insurance, living accommodations and 12 transferable credits from West Virginia University.
If you or anyone you know may be interested in either of the 2 programs, more information and applications are available at:
or go to our Facebook Page:
If you have any questions feel free to contact us. Hope to see all of you in Jingdezhen, China!
Associate Professor of Art
West Virginia University
College of Creative Arts
School of Art and Design
Creative Arts Center
PO Box 6111
Morgantown, WV 26506
Robert “Boomer” Moore
Assistant Professor of Art
West Virginia University
West Virginia University
West Virginia University
TONY MOORE STUDIO, COLD SPRING, NY
1 Year Renewable
www.TonyMooreArt.com / www.TonyMooreKiln.com.
Make contact via website. Interview required for successful candidate.
Applicant works 2-3 days per wk., flexible/terms negotiable. Apartment available w. studio. Strong work ethic, reliable, self-motivated to be involved with all aspects of professional artist’s studio, gallery & Anagama-Noborigama kiln. Useful skills may include any of the following: firings, kiln, clay, wood preparation, kiln-building, carpentry, art-handling, gallery, office, computer, web-site, social-media, or other. Will train. Own transportation.
Pocosin Arts is located in the the Town of Columbia, with a population of approximately 900. Our rural North Carolina community is situated in the northeastern part of the state and the School is just a few steps from the Scuppernong River and a short drive to North Carolina beaches. Within walking distance are several restaurants, a wine/coffee shop, public library, hardware and grocery store. Residents will find plenty of distraction free time to pursue their work however, Columbia is a welcoming town and Resident Artists are encouraged to participate in community events and activities.
Other nearby communities include Edenton, “The South’s Prettiest Small Town” 30 min. west, the Outer Banks and the Cape Hatteras National Seashore are 40 min. east, Greenville, home of East Carolina University and its thriving arts community is 1.5 hours west and Virginia Beach/Hampton Roads are 1.5 hours northeast.
Pocosin Arts One Year Residency – Applications Due April 8, 2019 This program provides three to four emerging artists with studio space, time and tools to make their work and pursue their goals. The program is structured to encourage exploration with access to all studios, metals, clay, wood and the Smith Lab. Residents teach one to two classes each week, participate in a weekly meeting with peers and staff to discuss projects and the practicalities of being a self supporting artist.
Pocosin Arts 10-Day Summer Residency – Applications Due April 1, 2019 This ten day residency is for up to 21 artist to enjoy uninterrupted studio time to explore a new direction, experiment or collaborate, in one of three studios, ceramics, jewelry and mixed media/painting. Residents may also schedule time in Pocosin Arts’ “Smith Lab” using digital fabrication to supplement their primary studio work.
Applications Due April 8, 2019
Selected artists arrive in early June to begin year-long residencies. Artists receive a monthly stipend, a furnished, private room and bath, shared kitchen and laundry facilities, and personal studio space. Pocosin’s Main Street gallery features and sells the work of current and former resident artists and also presents an annual juried exhibition organized by the residents.
Learn more: http://pocosinarts.org/
For the 2016 program, our goal is to select the best artists from all the applicants who have applied for our program. The application deadline is August 14, 2015. Please make sure to send your application in time!
For more information and the application form, please click here:
Thank you for your cooperation and wish you the best of luck in your future artistic career!
鍾榕芳 Rung-Fang Chung
New Taipei City Yingge Ceramics Museum Educational Promotion Dept.
No. 200, Wenhua Rd., Yingge Dist., New Taipei City, 23942, Taiwan,
Offering residencies lasting from two weeks to two months, the Hambidge Center has eight individuals in residence at any given time – each has access to a private studio and accommodations, as well as communal chef-prepared vegetarian dinners four nights a week.
In addition, ceramicists have 24-hour access to the Antinori Pottery Studio. The large well-lit space (approximately 2,000 square feet) houses a kiln room with both gas and electric kilns, and a separate area for glaze mixing and storage. Adjacent to the structure is an outdoor gas kiln and facilities for raku work.
The cost of the residency is $200 per week. A growing list of scholarships is available. Most scholarships provide a $700 stipend and waive the residency fees for two weeks of a residency ($400).
Hambidge’s Residency Program opens the second week of February and closes mid-to late-December through the month of January.
Application deadlines are:
• Apply from December 1st through January 15th for the May – August residency period.
• Apply from March 1st through April 15th for the September – December residency period.
• Apply from August 1st through September 15th for the mid-February – April residency period.
Go to www.hambidge.org/application.html for details about applications requirements and a link to the on-line application. There is a $30 application fee. No references required.
Community Collaboration/Teaching Artist
Painting/Drawing & Textiles
Print, Letterpress, Books & Papermaking
Please visit http://penland.org/about/jobs.html to view complete information for each of the internships listed above, including time frames, deadlines and compensation details.
For more information contact firstname.lastname@example.org
We are pleased to announce that the schedule for 2018 artist residencies programme is now available. We invite artists to apply for the following periods :
Phase I : Tuesday, 30 January 2018 to Friday, 2 March 2018
Phase II : Tuesday, 3 April 2018 to Friday, 4 May 2018
Phase III : Tuesday, 15 May 2018 to Friday, 15 June 2018
Phase IV : Tuesday, 10 July 2018 to Friday, 10 August 2018
Phase V : Tuesday, 4 September 2018 to Friday, 5 October 2018
Phase VI : Tuesday, 23 October 2018 to Friday, 23 November 2018
Applications are open to all artists (fine-arts, crafts, design, sculpture, architecture, filmmakers) seeking an opportunity to present and realize a project in a rich cultural environment. Artists who have been working independently for at least two years may apply for an individual residential work period in A.I.R. Vallauris.
On admission, artists are provided with a private bedroom and workspace. The residence is equipped with a common kitchen for food preparation as well as a common dining area. Internet access is available from your own material through a WiFi connection.
Work studios offer facilities for working in clay including wheels and an electric kilns, multimedia and painting.
There are several different residency phases throughout the year. An exhibition at the end of the residency phase gives the artists an opportunity to showcase their works created in residence to the local population. We accept applications year-round. As we give priority according to application dates, we encourage you to submit your application as soon as possible. For more information and to receive the application form, please email us at email@example.com
How to Apply
Review of applications for the Ceramics Residency program is ongoing.
Please contact (see below) the Ceramics Director-Dale Marhanka for application materials. You will be required to submit an application form, a letter of intent, resume, artist statement, Teaching Philosophy (if applicable), a CD or slides of 10 images (current within last 3 years) with image info sheet, and 2 letters of reference.
The Lorton Arts Foundation-Workhouse Arts Center Ceramics Program C/o Dale Marhanka- Ceramics Director, 9504 Workhouse Way –Bldg. 8, Lorton Virginia 22079 firstname.lastname@example.org
Application Requirements and online submittal go directly to Slideroom.
The DO GOOD-MJ Wood Memorial Short-Term Residency (anytime between December 1 and May 31) is an underwritten residency intended to support ceramic artists who wish to develop a body of work with a socially-conscious spirit and a strong sense of community engagement. Through a competitive application process one candidate per year will be selected to work at the Red Lodge Clay Center Studios with a full waiver of the residency fee. An additional stipend may be available for selected projects to assist with travel and/or production costs during residency. The application deadline is September 2.
The Long-Term Residency (September 1 – July 31) is ideal for committed individuals in transition from post baccalaureate studies to graduate school, as well as those pursuing the development of professional artistic careers. Self-directed ceramic artists searching for the time, space and resources needed to explore new ideas and create new work will enjoy the rural mountainous setting. Accepted residents will be provided with studio space, housing, utilities, and a monthly stipend in exchange for twenty hours of work per week at the Clay Center. Responsibilities will include assisting in the retail operation of the gallery, teaching community clay classes, as well as cleaning and maintenance of the studio and gallery. Residents will be responsible for personal living expenses, as well as all material and firing expenses. The application deadline is February 1st annually. Read more here
Co-founded by Paolo Porelli and Lori-Ann Touchette, the non-profit organization ‘c.r.e.t.a. rome’ offers an international self-funded residency program in Rome, Italy. The Italian word for clay seemed perfect to express our commitment to creating an international reference point for ceramics and the arts in the eternal city of Rome. Moreover, taken as an acronym, it spells out our main activities: ceramics, residencies, exhibitions, teaching and the arts. We are located in the mid 16th-century Palazzo Delfini in the historical center of Rome, just blocks from the Capitoline Hill on one side and the Pantheon on the other.
We offer artist residencies for ceramic artists, periods of 4, 5, 9 or 10 weeks. For 2016, the residency periods are:
For 2017 the residency periods are (5 weeks unless noted):
SPRING 2017 residency periods: deadline 1 November 2016
9 MARCH-12 APRIL
12 APRIL- 17 MAY
SUMMER 2017 residency periods: deadline 1 March 2017
18 MAY-14 JUNE (4 weeks)
15 JUNE-12 JULY (4 weeks)
FALL 2017 residency periods: deadline 1 May 2017
10 AUGUST-13 SEPTEMBER
14 SEPTEMBER-18 OCTOBER
19 OCTOBER-22 NOVEMBER
23 NOVEMBER-20 DECEMBER (4 weeks)
The residency fee covers a semi-private equipped studio, shared housing (private room) in the historical center of Rome, and technical assistance in procuring materials, firings, etc., advice on museums, galleries and sites in Rome and beyond. We also offer a residency in the countyside near Bracciano, with private accommodation in a 1-bedroom house with a garden and a private studio. This option is particularly attractive for collaborative projects and/or ceramic artists who work with reduction firing or those who would like tobring their spouse/partner and/or children.
Artists have the opportunity to focus on their art, whether it be creating a new body of work, expanding a well-established oeuvre or allowing themselves to draw inspiration from their surroundings and the centuries of culture that define the eternal city. In addition, they will have access to the wealth of galleries and exhibitions in Rome and beyond. Artists are encouraged to submit a proposal for a final exhibition to display the work created during the residency period.
Founded in 2009 and based in Puebla and Oaxaca, southern Mexico, Arquetopia is an award-winning, Mexican official nonprofit foundation promoting Development, social transformation and productivity through artistic, cultural, and educational programs. The core of the Foundation is Sustainable Development through four principles embodied in all of Arquetopia’s programs and activities: social awareness, shared responsibility, innovation, and local networks development. Arquetopia is experienced in negotiation and reinvestment of resources for local arts development in Mexico with the following features: social scope; quality; synergy; collaboration; innovation; viability; reciprocity; and respect for local knowledge.
Arquetopia has since grown to include the premier artist residency program in Mexico and Latin America, with extensive collaborative networks in Puebla and Oaxaca and a satellite office in New York City. Our resident artists have come from dozens of countries on six continents, and we ware proud that many of them have returned multiples times. In contrast to vacation rentals, B&B’s, and sublets advertised part-time as quasi art centers, both Arquetopia and Arquetopia Oaxaca have always been professional spaces exclusively for artists and include structured programs; a network of collaborative workspaces, institutions, and studios; and project support.